该视频编辑Dan Chung快速浏览了韩国镜头制造商Samyang制造的新款XEEN电影镜头。请注意,这些是预生产样品,最终产品可能会略有变化。
在视频中,与索尼CIneAlta电影镜头以及蔡司CP.2电影镜头的尺寸,重量和处理对比。如需了解更多的产品,请关注我们平台,制片帮。
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so these are the new scene lenses made by samyang in south korea. they're available in twenty four, fifty and eighty five millimetre t one point five speeds at the moment, and there will be three more lengths available in time. these are pl months, but you will be able to change them into other mounts. and for compassion, we're going to look at the next to the zie c p two lens line, and also the sony, sydney alta cinema landlines that start with these senior alternatives are eighty five million metals, and they're all three and eighty five million metre lengths. the senior authors, actually a tea to its pale, only put a nice move. focus, and i miss, and a subsequent planning with a new secret is smooth, but it's perhaps a little more square. the blaze, a little bit more obvious than the other two lines of the moment science, you can see that these sony, eighty five months, so is clearly the biggest with the samuel in the second, and the size the third, if you look at the same in it got episode. values are actually constantly spaced. birds very close together, which could make it still hard to precisely cut down just a little bit if you are actually shooting, and then you've got a focus ring, which is perhaps a little bit more than one hundred and eighty percent of the ninety i've measured exactly. but slightly above a nation of rotation between infancy and closest focus. the eyes is nicely smooth, and you can see that perhaps uh a little bit square, then the designs are not under potential, but you can make your mind when you see the size in the second. and what's like, it is more important to how that looks in terms of 包括m t m focus nights that you might get any image,and you can again see that on the textbook teacher, we have uh on the site. if you look at the exercise, it's a smaller lens, so much more compact lens actually, hence the name companion. uh, the images is, is not equally space, and actually get much more distance between the the stops that he stops at the wider applications need to do at the smaller ones. the focusing is stiffer. it's about two hundred and something two thousand and seventy degree paint, very bit more focused rotation on the device. now, if you wait, the three length is clearly the king when it comes to weight is the sunny, which is about four pounds over four pants. yeah, you have. the semi languages is to in a half pounds, perhaps, and then the lightest of all three is the designs, which is going to take the scale. and then it just about two pounds. uh, the ocean pale length council of these, it might be slightly different and weight, but you get the example idea of where they, they are next to each other, and size wise. clearly, the is the biggest bike, quite some margin, the same in twenty four. uh, we don't have a sanny twenty four, unfortunately, but seven, twenty four is just over two pounds as well. and the uh the c p two, just under two pounds, so not such a big difference there, but a slight difference anyway, the size wise, the summer is quite longer. now. look the same in twenty four in more detail, you have a uh, again, the image switches quite close to waste together, focused on station against similar, just over the next degrees. and the love of the focus case on the irish and the focusing ring. uh, then if you look at the size, it's against not equally spaced. i was average values, but much more control and the wider applications where arguably you would need them. and then they focusing, which i have to say, it is quite a lot tighter on the twenty five million meter that we've got here. then the same length now that might not be a good thing. um, if your manufacturer symbol not be more useful using motors, and that is possibly a mathematical choice if you like your length to be, if you look at the ios blades, the scene is not since move and like. but again, i think it's ever so slightly square. then the designs, when she was about to see which got a fairly round a picture. but you know what many matters is what this looks like when you actually shoot. and we have a few summers on the site when you can actually compare for yourself between the the c p tools and the scene lenses. and then finally, just the size comparison, here's in fifteen millimeter scene next to eighty millimeter c p two note that the landscape on the others cabinet, it was not a big nervous cap on the scene. but you get in a day, and i say we will have production models. these ones working on air preproduction, but hopefully will have production models suing for a full evaluation.